CRIPPLED BLACK PHOENIX
EUROPEAN TOUR DATES MARCH 2012
17 SE STOCKHOLM DEBASER
18 NO OSLO PARKTEATRET
19 DK ROSKILDE GIMLE
20 DE HAMBURG HAFENKLANG
21 DE OBERHAUSEN ZENTRUM ALTENBERG
22 DE MUENSTER GLEIS 22
23 DE DRESDEN BEATPOL
24 DE BERLIN FESTSAAL KREUZBERG
25 PO SOPOT SFINKS
26 PO WARSAW PROGRESJA
28 CZ PRAGUE 007 STRAHOV
29 SK TRNAVA ART KLUB
30 A EBENSEE KINO
31 A VIENNA ARENA
EUROPEAN TOUR DATES APRIL 2012
01 SL LJUBLJANA CHANNEL ZERO
03 CR ZAGREB TVORNICA CULTURE
06 CH ZURICH ROTE FABRIK CLUBRAUM
07 CH BERN DACHSTOCK
08 CH WIL GARE DE LION
10 DE FRANKFURT DAS BETT
11 DE TUBINGEN SUDHAUS
12 DE KOLN YARD CLUB

MORE INFORMATION
Homepage: CRIPPLED BLACK PHOENIX     Record label: MASCOT
BIOGRAPHY

Born from a blizzard of horned cats, Crippled Black Phoenix bring you a twisted cinematic experience, handcrafted by a mercenary crew of musical outsiders, giving depth and gravity to regal songs about love, loss, tragedy and redemption. Their debut album, A Love Of Shared Disasters, will be released on April 2nd on Invada Records on cd and vinyl.

Back in 2004, the then Electric Wizard drummer Justin Greaves (also of Iron Monkey, Teeth of Lions Rule the Divine) started recording songs and soundscapes he'd had in his head for several years using primitive recording techniques. Encouraged by good friend (and Mogwai bassist) Dominic Aitchison those ideas would become the bones of Crippled Black Phoenix. Other great compadres followed, Panthiest members Andy Semmens and Kostas Panagiotou, Nial McGaughey of 3D House of Beef and -(16)- amongst others and solo folk songwriter Joe Volk, who also fronts critically acclaimed heavy rock band Gonga, all stepped up to bring a variety of influences and skills to complete the line-up.

In 2006, during one of the hottest summers on record the band recorded their debut album in Bristol and signed to Invada Records (run by Portishead’s Geoff Barrow). During the recording process the old friends aligned and fully realized visions that had been pestering Greaves for the past few years.

The result is a collection of self penned endtime ballads, a dark hybrid that is the culmination of all the members’ eclectic influences. It is the first of a trilogy and deals with the timelessness of honesty and tragedies laid bare, featuring sordid tales from the pages of literary history combined with personal stories of contemporary loss and love.

Using a blend of modern amplified and Victorian era equipment, the band have produced a captivating, slow-burning sound that’s both archaic and modern at the same time.